I’m passionate about history of art and I’d like to deal here with the collecting phenomenon, not merely as that passion towards some kind of items, but when love turns into a morbid obsession and particularly when it’s reflected in the arrangement of the objects. An attitude which became popular in the Renaissance all over Europe in the form of Wunderkammer and that I’m going  to examine now in the contemporary, through the houses of sensitive, old-fashioned collectors, modern museums of oddities and especially the work of contemporary artists, which is properly my subject matter.